Abstract
Gebaseerd op het keramisch werk van Willy Langmans, getoond tijdens Expo Ontmoeting, verkent de collectie Abstracts het spanningsveld tussen vorm, ruimte en verbinding.
uit 2012 tot 2012
(klik op de afbeelding om het werk groter te bekijken)
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Connections
2012In Connections, fragments find each other. Shapes drift apart and touch again, held together by fine, almost fragile lines. There is tension, but also tenderness. What seems broken at first glance reveals a quiet rhythm of belonging. Warm reds and soft pinks carry emotion and memory, while cooler blues move through the work like breath or thought, creating space and calm. The white areas are pauses, moments of silence where everything can settle. This work speaks about how we are shaped by one another. How even in separation, something invisible keeps us linked. Not fixed or forced, but gently, intuitively. A reminder that nothing truly exists on its own.
The beginning is the end
2012This work captures a quiet moment of transition, where an ending and a beginning exist at the same time. A soft, circular form floats in an almost weightless space, calm and contained, yet not untouched. At the edge, a subtle interruption breaks the stillness, a trace of color like a memory entering the present. Gentle tones and flowing layers create a sense of breath and openness. The circle feels whole, but not closed. It suggests cycles, return, and renewal, reminding us that every start carries what came before, and every ending holds the seed of something new. The Beginning is the End invites the viewer to pause and reflect. To embrace change not as a rupture, but as a natural continuation. A quiet reassurance that nothing truly disappears, it only transforms.
The source
2012At first glance, The Source feels calm and almost still. Yet the longer you look, the more movement reveals itself. Light and shadow pull the eye inward and outward at the same time, creating a quiet trompe l’œil. Is this form rising toward you, or does it draw you into its depth. Is it a dome, or a hollow. Gentle tones and flowing brushstrokes radiate from a single point, like breath expanding through space. The center holds a subtle tension, a place where everything begins and everything returns. What seems empty is full of presence. The Source invites contemplation. It asks the viewer to trust their perception, then gently question it. A meditation on origin, awareness, and the thin line between inner and outer worlds.